The Stuff of Spirit
For the first time, (but not the last), Jews
are asked to donate.
Three donations startup the Mishkan. An
appeal for raw materials, a second call for
the silver (for) sockets, and a third to
begin the communal sacrifice fund[1]. Our
Parsha commences with a somewhat unique type
of donation. While the latter two were
mandatory egalitarian donations (1/2 shekel)
the first call was for nidvas leiv,
donations of the heart. While the latter two
required coins, the former requested variant
materials and lots of them - herein, the
list:
This is the offering that you shall take
from them: gold, silver and copper.-blue
[wool], dark red [wool], crimson [wool],
fine linen, and goats [hair]. Red[-dyed]
ram's skins, tachash skins, and acacia wood.
Oil for the lamp. Spices for anointing-oil,
and for the incense of aromatic spices.
Shoham stones, and filling stones for
setting [into] the ephod and breastplate.
In God's house, everything - from the raw
materials to the furniture (its placement
and measurements), carries inherent and
symbolic significance[2]. Let us ask a
simple question: How many materials did the
Mishkan need and of what significance is
that number?
Since the Torah presents the list, it
shouldn't be that hard to answer, and yet
consider the following two midrashic
sources:
1.
Shir
Hashirim Rabah,[
4:25]:
She [the Community of Israel] presented
to Him [God] thirteen things, and He
presented to her thirteen. [3]....
2. Zohar,
2:135
Gold symbolizes New Year's Day, the day
of "gold", because it is a day of judgement,.
..
Silver symbolizes the Day of Atonement,
..... "Scarlet" .. the fifteenth day of Ab,
.. So far
six
symbolic elements have been enumerated; the
rest symbolize .. The other
nine, corresponding to nine days of
Repentance, ..
These midrashim teach us that numbers matter
- but at the same time can not agree what is
that number. We shall return to this point
shortly.
Rashi, [ala Shir Hashirim Rabah] states:
"All
thirteen items mentioned here
were required either for the construction of
the Mishkan or for the priestly vestments,
if you examine them carefully[4]."
Rabbeinu Bechayei's amazing "15" tour,
however takes its cue from the Zohar. For
him, the number is deeply significant in
that incorporates (among other items):
a.
name of God (Kah, yud hey) needed to
create this and the next world [cf. Menachos
29b]
b.
the number of words + vowels in the 1st
and primary Creation verse of the Torah
c.
number of praises in Yishtabach
before we arrive at His great name
d.
number of stairs that separate the
outer courtyard from the inner courtyard
e.
the number of Dovid's Shir Hamaalot
psalms
f.
the number of words in the birchat
kohanim
g.
the number of praises that follows
the Shema
Fifteen then, is the number for an intense
spirituality of connection - a bridge
between lower and higher kedusha.
So who's right? Rashi or Rabbeinu Bechayei.
Neisi sefer v'nechzi. Let us simply
count! Are there 13 materials or 15?
A simple analysis would seem to bear out
Rabbeinu Bechayei: Gold, silver, and copper
= (3). Blue wool, dark red wool, crimson
wool, linen, and goats [hair] = (5).
Red-dyed ram's skins, tachash skins, and
acacia wood = (3). Oil for the lamp,
spices for the anointing oil and for the
sweet-smelling incense = (2). Shoham and
setting-stones = (2).
And for Rashi's thirteen? Solutions abound:
a. Chizkuni - The stones were not
counted as they came from the princes and
not the people
b. Moshav Zekeinim - Oil and spices are
considered one and the stones are
considered one [same genre]
c. Shach, Bartenura - the oil and
spices don't count as they were not used for
the mishkan nor for the kohanim's clothes
[5]
A fourth answer, from [the classic Rashi
supercommentary], Mizrachi, resonates.
Centuries later, Rav Schwab goes with the
same notion - but spices it with a
tantalizing closer: That which separates
Rashi from Rabbeinu Bechayei is whether to
count
the dyed sheep wools as one or three?
For Rashi wool is wool and to Rabbeinu
Bechaye a different color constitutes a new
item. It would now appear that Rashi's
approach is the more logical one - for why
should the wool's color of wool define it
distinctly?
Herein Rav Schwab's closing teaser:
For in the world of kedusha, it is
form, not material/content that is primary.
Consider that the mishkan is full of form
over material [precise dimensions, exacting
curvatures - think menorah, mishkan covers,
flowers, buttons, keruvim etc.] If form
matters, then blue red and purple wool are
three different items[6].
The mind objects: Why would the spiritual
world elevate external form over inner
content?
Perhaps this is the notion: In the epic
struggle between holy and profane
classically depicted as the battle between
body and soul, it is ultimately form
that defines victory.
On a material level, umotar haadam min
habeheima ayin, that which
distinguishes man from animal is
biologically insignificant - nor does the
tzaddik (pious) have a distinct physique
from that of the rasha (wicked). I
find it almost unfathomable to consider that
the heilige Chofetz Chaim and l'havdil the
unspeakably wicked Hitler shared the same
century, continent, and a 99% genetic
similarity. Righteousness per se, is not
the domain of a particular genetic
predisposition.
Ergo, the man/animal and man/man distinction
lies not in the basic stuff; it is the form
that we give to our content that ultimately
defines sanctity. To paraphrase Ramban[7],
it is not the leiv tov - but the
ma'aseh tov. It is not the cardiac Jew,
the passionate Jew at heart, that carries
the day, for without form, solid material
can twist and turn in all the wrong
directions. Deed (= spiritual form) not
creed (spiritual content) defines successful
spirituality.
For those who seek to find Hashem in the
world, these are uplifting words. Consider
that the everyday Jew wakes up and thanks
Hashem for the return of his soul - but then
he gets very simple: he makes a bracha on
his clothing, on getting up, on standing up
and even on his shoes and a belt (life
without one is quite annoying). We may
wonder why the dramatic shift from soul to
simple body?
Rav Schwab's key notion reminds us that in
that content[neshama] - form[body] duality
lies the stuff of practical spirituality and
the ability to effect the world.
May Hashem give us the strength and wisdom
to access our deep spiritual gifts in a wat
that transforms our world within and the
world without.
Good Shabbos ,Asher Brander
[1]
Cf. Rashi , 25:2, Tikchu and
Rashi , 30:15. The first is
mentioned here, the 2nd
is referenced in Shemos 38:26,
the third in Bamidbar, 1:1
[2]Consider
the following sampling of
symbolisms for the Mishkan
itself, all well documented in
the sources:A. Mishkan as the
house in the marriage between
Hashem and Klal Yisrael. B.
Mishkan as the nexus between
this world and the next C.
Mishkan as a continuation of the
Sinai experience [portable Matan
torah] D. Mishkan as a kapparah
for the Golden Calf sin E..
Mishkan as a the human body
[3]
and brass; and blue, and
purple, and scarlet, .. (Ex.
XXV, 3-7)
[4]
Rashi, 25:2 , tikchu. Cf. Rashi,
Yechezkel, 16:13 who alludes to
the midrash shir hashirim
[5]
this point is the clear implicit
p'shat of the the midrash Shir
HasHirim Rabah which omits the
oil and spices
[6]Rav
Schwab notes a few further
oddities. In listing the
materials, the Torah uses the
ancillary name for linen (sheish
- not pishtan); curiously
it omits the word wool in
describing the goats's hair as
izim. Rav Schwab's notion
of form over content illuminates
as sheish, as opposed to pishtan,
implies spun linen while the
izim accentuates the
requirement manner that the
goats hair need be spun while
still attached to the goat's
head. In a later piece, he
notes that the Torah seems to
mingle purpose and content,
i.e., the Torah does not merely
list oil, rather it is oil
for lighting, nor is it
simply spices - but it is
besamim l'shemen hamishcha
etc. R. Schwab's approach will
work to address this issue as
well.